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The aim was to transform the boy into an independent spirit capable of standing above the herd, but dedicated to public service and the national cause.By the age of five Stas was painting and playing the piano, at seven he wrote his first play, Cockroaches, which he printed himself on his own press. In his Comedies of Family Life, the child playwright is the self-reflexive hero around whom the action revolves; when a character in the playan admiring lady visitor reading one of Stass comediesexclaims, Its exactly like Maeterlinck! the young authors creativity becomes the check my credit score South Dakota subject of his own drama. Actual visitors to the Witkiewicz household included his godmother, the check my credit score South Dakota Polish-American actress Helena Modjeska, and the young Yiddish writer, Sholem Asch.Due to his fathers position of eminence, the boy associated with the most famous and talented people of the time.The painter-mathematician Leon Chwistek, the composer, Karol Szymanowski, the anthropologist, Bronislaw Malinowski, and a little later the pianist Artur Rubinstein were among Witkacy close friends in these formative years. order a free credit report

Defying his fathers opposition to all formal schooling, he enrolled off and on again for three years (from 1906 to 1909) at the Cracow Academy of Fine Arts, where he studied drawing and painting with the celebrated Polish modernist Jozef Mehoffer. There he developed a facility at the modes and mannerisms of Young check my credit score South Dakota Poland.Modernism had found a congenial setting in fin-de-siecle Zakopane, where a penchant for histrionic role-playing, artistic poses, and perverse eroticism fostered the performance aspects of life and the wearing of masks.As a precocious child and then as a psychologically riven young man, Witkacy absorbed the modernist ethos of his elders and played its abstruse games without truly being able to believe in them or in himself.The young would-be artist exhibited his paintings at local museums and galleries, had a torrid love affair with a celebrated modernist actress, Irena Solska, eight-years his elder, and wrote an check my credit score South Dakota autobiographical roman a clef about the affair, The 622 Downfalls of Bungo, or The Demonic Woman, which remained unpublished until 1972 because of its too gamy sexuality (which included a homoerotic episode with Malinowski, alias Duke of Nevermore).With his pen, his brush and crayons, and his camera, Witkacy parodied the check my credit score South Dakota Zakopane sensibility and life-style in a manner that both celebrated and mocked modernism and himself as its exponent. free credit report three If we can call Witkacys mature work postmodernand I think we canhere then is the storehouse of modernist props and attitudes that he will hereafter pillage and subject to deforming irony and sarcasm.Artistically, at this early point in his career, Witkacy is most innovative in his photography.With the cameraintroduced to him by his father when he was still a childhe produces hundreds of photographic portraits of himself (check my credit score South Dakota and his many playful or sinister alter egos and doubles), as well as of his family and friends.In pictures cropped to show only the full face, Witkacy creates brooding psychic studies that reveal the metaphysical anxiety behind the social mask and highlight the terror of existence caught in the subjects eyes.

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The aim was to transform the boy into an independent spirit capable of standing above the herd, but dedicated to public service and the national cause.By the age of five Stas was painting and playing the piano, at seven he wrote his first play, Cockroaches, which he printed himself on his own press. In his Comedies of Family Life, the child playwright is the self-reflexive hero around whom the action revolves; when a character in the playan admiring lady visitor reading one of Stass comediesexclaims, Its exactly like Maeterlinck! the young authors creativity becomes the check my credit score South Dakota subject of his own drama. Actual visitors to the Witkiewicz household included his godmother, the check my credit score South Dakota Polish-American actress Helena Modjeska, and the young Yiddish writer, Sholem Asch.Due to his fathers position of eminence, the boy associated with the most famous and talented people of the time.The painter-mathematician Leon Chwistek, the composer, Karol Szymanowski, the anthropologist, Bronislaw Malinowski, and a little later the pianist Artur Rubinstein were among Witkacy close friends in these formative years.

Defying his fathers opposition to all formal schooling, he enrolled off and on again for three years (from 1906 to 1909) at the Cracow Academy of Fine Arts, where he studied drawing and painting with the celebrated Polish modernist Jozef Mehoffer. There he developed a facility at the modes and mannerisms of Young check my credit score South Dakota Poland.Modernism had found a congenial setting in fin-de-siecle Zakopane, where a penchant for histrionic role-playing, artistic poses, and perverse eroticism fostered the performance aspects of life and the wearing of masks.As a precocious child and then as a psychologically riven young man, Witkacy absorbed the modernist ethos of his elders and played its abstruse games without truly being able to believe in them or in himself.The young would-be artist exhibited his paintings at local museums and galleries, had a torrid love affair with a celebrated modernist actress, Irena Solska, eight-years his elder, and wrote an check my credit score South Dakota autobiographical roman a clef about the affair, The 622 Downfalls of Bungo, or The Demonic Woman, which remained unpublished until 1972 because of its too gamy sexuality (which included a homoerotic episode with Malinowski, alias Duke of Nevermore).With his pen, his brush and crayons, and his camera, Witkacy parodied the check my credit score South Dakota Zakopane sensibility and life-style in a manner that both celebrated and mocked modernism and himself as its exponent. If we can call Witkacys mature work postmodernand I think we canhere then is the storehouse of modernist props and attitudes that he will hereafter pillage and subject to deforming irony and sarcasm.Artistically, at this early point in his career, Witkacy is most innovative in his photography.With the cameraintroduced to him by his father when he was still a childhe produces hundreds of photographic portraits of himself (check my credit score South Dakota and his many playful or sinister alter egos and doubles), as well as of his family and friends.In pictures cropped to show only the full face, Witkacy creates brooding psychic studies that reveal the metaphysical anxiety behind the social mask and highlight the terror of existence caught in the subjects eyes.